Mammon's Music: Literature and Economics in the Age of Milton

The industrial revolution of the 17th century deeply replaced English tradition. during this formidable e-book, Blair Hoxby explores what that monetary transformation intended to the century’s maximum poet, John Milton, and to the wider literary culture within which he labored. Hoxby areas Milton’s work—as good because the writings of up to date reformers just like the Levellers, poets like John Dryden, and political economists like Sir William Petty—within the framework of England’s financial historical past among 1601 and 1724.

Widows and Suitors in Early Modern English Comedy

The courtship and remarriage of a wealthy widow used to be a favored motif in early glossy comedian theatre. Jennifer Panek brings jointly a wide selection of texts, from ballads and jest-books to sermons and courtroom documents, to envision the staple widow of comedy in her cultural context and to ascertain early glossy attitudes to remarriage.

Imagining the British Atlantic after the American Revolution (UCLA Clark Memorial Library Series)

Among 1750 and 1820, tides of revolution swept the Atlantic global. From the recent commercial cities of significant Britain to the plantations of Haiti, they heralded either the increase of democratic nationalism and the next surge of imperial response. In Imagining the British Atlantic after the yank Revolution, 9 essays give some thought to those innovative modifications from a number of literary, visible, and old views.

Virginia Woolf: The Patterns of Ordinary Experience

In her well timed contribution to revisionist ways in modernist reviews, Lorraine Sim deals a examining of Virginia Woolf's notion of standard adventure as printed in her fiction and nonfiction. Contending that Woolf's representations of lifestyle either recognize and supply a problem to characterizations of way of life as mundane, Sim indicates how Woolf explores the potential for daily adventure as a website of private that means, social knowing, and moral worth.