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By Madeline Clements

This publication explores even if the post-9/11 novels of Rushdie, Hamid, Aslam and Shamsie should be learn as a part of an try and revise glossy ‘knowledge’ of the Islamic global, utilizing globally-distributed English-language literature to reframe Muslims’ strength to hook up with others. Focussing on novels together with Shalimar the Clown, The Reluctant Fundamentalist, The Wasted Vigil, and Burnt Shadows, the writer combines aesthetic, old, political and non secular concerns with analyses of the preferred discourses and important discussions surrounding the novels; and scrutinises how the writers were appropriated as genuine spokespeople via dominant political and cultural forces. ultimately, she explores how, as writers of Indian and Pakistani beginning, Rushdie, Hamid, Aslam and Shamsie negotiate their identities, and the tensions of being obvious to behave as Muslim representatives, when it comes to the complicated overseas and geopolitical context within which they write.               

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