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By Jennifer Panek

The courtship and remarriage of a wealthy widow was once a well-liked motif in early sleek comedian theatre. Jennifer Panek brings jointly a wide selection of texts, from ballads and jest-books to sermons and court docket documents, to ascertain the staple widow of comedy in her cultural context and to ascertain early smooth attitudes to remarriage. She persuasively demanding situations the severe tendency to determine the stereotype of the lusty widow as a tactic to dissuade ladies from moment marriages, arguing as an alternative that it used to be deployed to let her suitors to regain their masculinity, below hazard from the dominant, wealthier widow. The theatre, as validated by means of Middleton, Dekker, Beaumont and Fletcher and others, used to be the best purveyor of a fable within which a tender man's sexual mastery of a widow allowed him to grab the industrial chance she offered.

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