Download Life, love and death in the poetry of Sylvia Plath by Ana María Leiva Aguilera PDF

By Ana María Leiva Aguilera

Essay from the 12 months 2013 within the topic English Language and Literature experiences - Literature, grade: 9,0, collage of Jaén, path: 3º, language: English, summary: As Carmelo Medina Casado splendidly says in his ebook Poetas ingleses del S. XX (P.257), “en el pasado hubo una tendencia a considerar a l. a. poesía escrita por mujeres como de un estatus inferior”. His activity have been “ infravalorada y hasta cierto punto abandonada”, anything that in fact, wouldn't been an intensive switch, in particular throughout the moment half final century. It resulted to be in the various situations, because the current writer, a heroine for his or her readers who turn out to spot themselves with that combined feeling that is going to seem in lots of of her poems and may be item of research during this job, along with her nihilist interpretation of life.
It might don't have any experience the straightforward approach to quoting this author’s biographical facts and a few of her works. that might no longer specialise in her literary labour. because of this I suggest myself to remark either her existence in addition to her works, basing my references on her poems themselves.
My research’ method goes to have a double sense:
- at the one hand, there's a large amount of her biographical information, and it will support us figuring out her poems.
-On the opposite hand, it is going to be the author’s unconsciousness itself that i'll concentration my curiosity on. i'll search for it in each poem, the single that is going to emerge in a few of her verses even if the goal or common thematic of the poem is any other.
As completely says Ramón Buenaventura in his bilingual version Ariel. Publishing residence, Hiperion 2010, ,“la poesía no tolera más notas que aquellas que sirven para restablecer las claves que el poeta en el momento de escribir considera razonablemente comprensibles”, attempting to describe these clues is, partly, the purpose of this essay, considering that: ”el poeta no escribe para intermediarios”.
I am drawn to valorising her paintings throughout the research of her nice subject matters: love and demise. so far as love is worried, her paintings turns round violence of ardour in streams: at the one hand, the father-child like; however, the spouse like. The imaginative and prescient of affection she bargains is progressively more sour and negative.

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